Regine Rapp

Regine Rapp is an art historian, curator, and co-director of Art Laboratory Berlin (ALB). She researches, teaches, curates, and publishes on 21st century art at the interface with science and technology, currently on her newest research project “Hybrid Art Histories”. As a guest professor for Art & Science she teaches and researches at the Art Academy Münster. As co-founder of Art Laboratory Berlin (2006) she has conceived, curated, and researched on more than 50 exhibition projects (Time and Technology, Synaesthesia, [macro]biologies & [micro]biologies). In 2011 parallel to the exhibition Sol LeWitt. Artist’s Books, she conceived the international Sol LeWitt Symposium at Art Laboratory Berlin. Along with Christian de Lutz she developed the international conference Synaesthesia Discussing a Phenomenon in the Arts, Humanities and (Neuro) Science (2013). The Nonhuman Subjectivities (2016/17) and Nonhuman Agents (2017/18) series of exhibitions, performances, workshops, and an international conference reflected on Art and Science in the post-anthropocentric era.

Current publications: “Das Konzept ‘Nichtmenschliche Subjektivitäten’. Aktuelle künstlerische Praktiken im Posthumanismus” (Berlin: Reimer 2019); Mind the Fungi, co-edited, TU Berlin University Press, Berlin 2020; „Hybrid Art“ (Grätz/ Vogel (ed.): NatureCulture, Göttingen 2022); “Artistic Research and Ecology: Pollution, Plastic, Water” (I Reichle (ed.): Plastic Ocean: Art and Science Responses to Marine Pollution, Berlin, Boston 2021); “Saša Spačal. Symbiosen und planetarische Verflechtungen” (Kunstforum International, vol. 281, 2022); “Ko-Existenzen. Über menschliche und nicht-menschliche Akteur:innen” (Kunstforum International, vol. 281, 2022); “Mehr-als-menschliche Allianzen” (J Ullrich (ed.): Nichtmenschliche Ästhetik, Stuttgart: Metzler 2024).